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Call for Submissions: African Nova Scotian Women

EXTENDED DEADLINE: September 15, 2017.

We are excited to announce that Issue 12 of Understorey Magazine will be dedicated to writing and art by women of African descent in Nova Scotia.

This project is funded in large part by the Delmore “Buddy” Daye Learning Institute, an organisation focussed on excellence in Africentric education, with additional funding from the Canada Council for the Arts.

Issue 12 will be published in both digital and print editions and will be guest-edited by author/editor Lindsay Ruck.

We will also hold two community writing workshops during May 2017. One workshop will be in the Halifax Regional Municipality and another in Shelburne, NS. (Please stay tuned for dates and times.)

Submissions are now open to all who identify as women of African descent and who live in Nova Scotia (as well as African Nova Scotian women living outside NS). Please contact us with any questions and see full guidelines on our submissions page.

 

 

Writing Hard Stories by Melanie Brooks

When I received my copy of Writing Hard Stories by Melanie Brooks (forthcoming from Beacon Press, February 2017), I envisioned myself curled up in my comfortable armchair with coffee, settling in for a good long read. That was not to be—partly due to demands of a busy holiday season and introducing a new kitten to our family but mainly due the nature of Brooks’ book itself. It is not the sort of work that one can rush through, so I found myself reading one of her eighteen “interviews” per day, savouring the insights I gleaned and pondering how I could apply their lessons to my own writing

Although she grew up in New Brunswick, Brooks now lives in New England. It was while she was working on her MFA in creative nonfiction and planning the writing of a memoir based on her father’s death from AIDS contracted from tainted blood that she began to look into the works of memoirists who inspired her. She then got in touch with the writers directly to ask the questions that she was asking herself: What does it take to write an honest memoir? How can memoirists present the details of a painful past honestly and at the same time respect the privacy of friends and family? Those conversations became Writing Hard Stories. Continue reading

Tell by Soraya Peerbaye

It took me four days to read Soraya Peerbaye’s Tell: Poems for a Girlhood (Pedlar Press, 2015). By day three, I wasn’t sure I could follow through, so acute was my fear and respect for the tide of pain and loss on nearly every page.

Tell honours Reena Virk, assaulted and murdered by her peers in 1997; she was 14 years old. I was 14 in 1997, as well; our birthdays are only weeks apart. Perhaps “I’d have been her friend” (“Trials,” 10). In Grade Nine, I didn’t know any girls from South Asian families, but I had girlfriends who loved clog boots, who wore pleather jackets; girls who shouldered rumours, reputations, and threats too heavy for their age, their hearts and bodies—girls, in many ways, like Reena. Continue reading

Seven Years, Five Editors, Four Publishers: How I’m Writing My Novel

Ever wonder what it takes to write, edit and sell a novel? While there are a few overnight-success stories, most authors work very hard to produce a manuscript and get it noticed. Annette Martin published an excerpt from her novel-in-progress in Understorey Magazine in 2014. But she started writing long before that—and she’s still working to revise her manuscript and find a publisher. Here’s one woman’s story of writing and selling a novel.

Many years ago, after retiring from the school system, I had the gist of an idea for a story. I doodled at it here and there but had no real plans for publishing or even finishing it. I just enjoyed writing. Always had. But seven years ago I got a bit more serious.

By 2012, the story was finished. Almost 500 pages. What to do with it? The Writers’ Alliance of Newfoundland (WANL) gave me a list of editors and said they’d pay half of the editing fee. I contacted one of the editors.

In 2013, that editor sent me a very long list of suggestions. I revised accordingly and sent it to another editor through WANL. This second one sent the manuscript back with another long list of recommendations, one of which was to “save some for the sequel.” I figured this meant I rambled too much. My story (I had trouble calling it a book) was too long.

In 2014 and 2015, I got even more serious. I chopped pieces out, twisted things around and found I really liked revising. I thought I’d like to have it edited by someone in Nova Scotia as that’s where I now live. I contacted the Writers’ Federation of Nova Scotia and found another editor. She did three readings. Many revisions later, I was ready to try some publishers.

I sent sample chapters to three publishing companies and the whole manuscript to another publisher, all in Newfoundland as that’s where the story is set. (But then, I enjoy and relate to books from Sweden, Norway—love Jo Nesbo—and other places so why did I think that way?)

Of these Newfoundland publishers, I never heard back from one (I later learned that they never received the manuscript). Many months later, a second said no, flat out. But then—a ray of hope. In April 2015, Creative Publishing emailed to ask if they could give the manuscript to an outside reader. In August, after I phoned to check in, they sent the reader’s comments to me by email. There were many good suggestions but he or she suggested I find yet another editor! The reader thought I should work on aspects like the inner thoughts and voice of the characters.

I sent the manuscript to an editor in British Columbia (I was really branching out). It was August 2015 and I was working in a more disciplined way. After two readings by this editor—and more chopping—I sent it back to Creative. They responded in June 2016: The manuscript was improved but still not ready.

Somewhere along the way, I also sent it to a publisher in Nova Scotia. They said, “It doesn’t fit with books we have in mind at this time,” or something like that. I am really not sure what that means.

Back to the revisions. I’m getting really good at revising and still enjoy, it by the way. (Teachers have the correcting gene.) I emailed another editor, the fifth, and last July her comments arrived. She wondered if I might reverse the order of a few chapters. I thought about this and decided it wasn’t necessary. She also said the opening was weak and I have to agree. I’ve changed it many times and I’m still not happy.

The manuscript is now down to 325 pages. I figure I’ve discarded enough characters and plots and pages for two more books. I do appreciate the many things I’ve learned from all the editors. (Who knew you have to leave quotation marks out at the end of a paragraph if the same person is speaking in the next one? I’ve read thousands of books and never noticed that.)

I plan to fix the beginning and send it off to a few more publishers. If nothing happens, I’ll self-publish. Or I’ll throw it in a barrel and set fire to it….