Article Category Archives: Creative Nonfiction

The Lucky One

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It’s your turn to prepare the sweet bread for the Christmas family gathering this year. Your mother used to take care of it, and her mother before her. But with those matriarchs gone the responsibility now falls to you, the eldest woman in the family. You’ve baked before: nutmeg cakes for potlucks, baklava for your husband’s birthday. But you’ve never done anything of this size and importance, and the task is daunting. You try to remember how your mother did it. You wish you took notes when you had the chance. In the end, it’s the power of your memory, your talent for improvisation, and the internet that come to your aid.

You begin by dissolving yeast and sugar in warm milk before adding melted butter. You beat five eggs and add them to the concoction, with flour, salt and ground mahleb. As you knead this mixture bits of it stick to your hands, leaving patches on the tips of your fingers and under your nails. When your arms feel sore you switch to using the stand mixer.

You put the dough in a well-oiled bowl and let it sit for an hour and a half until it doubles in size. You then lay it on a large pan and shape it. Your mother used to braid the dough, but you simply spread it out so it bakes into a slab the size of an extra-large pizza. You don’t have the time and patience to attempt anything else. As you work, you mentally prepare your retorts in case anyone comments on it.

Before placing the pan in the oven, you stick a toonie wrapped in aluminium foil inside the dough. This is the prize, the treasure every family member yearns to find. Encountering it means you will have good luck for the following year. It’s nothing but superstition, but deep down you believe it.

 

ceramic cake and cake stand

Cake by Marla Benton

 

The family rarely comments on the taste of the bread, its look or its texture. All that matters is what is to be found inside. You’ve never won the coin. Your mother did, four times. Her mother won it twice. You’ve never had that kind of luck, but maybe this year the coin will be yours. Your reward for your hard work.

You buckle under the sweet bread’s weight as you pull it from the oven. Once it cools down, you put it in a bag—any large bag will do, considering its size. When it’s time to leave, you ask your husband to help you carry it to the car. It takes up most of the backseat, and you listen to it slide and bump on the drive over to your cousin’s house.

You give your cousin a quick peck on the cheek when you arrive, then bypass everyone else on your way to the kitchen to set the pan on the counter. The sweet bread has its own distinguished place, away from the other dishes. There are exclaims of surprise, remarks of how big it is. These are followed by words of encouragement. They’re sure it turned out well. They’re grateful you took on the task of making it. They reassure you with rueful smiles that your mother would be proud.

The sweet bread is cut after the main course, but right before dessert. You wield the knife, since this behemoth is deemed your responsibility. You try to cut it in evenly-sized slices, but some pieces turn out bigger than others. If your relatives notice, they’re kind enough not to comment. In accordance with tradition, the youngest picks their piece first, then each person has their turn in ascending order of age. You’re second to last—you remember when you used to be one of the first.

Like everyone else, you break your piece in half, then in smaller bits to search for the coin. You don’t know where it is even though you planted it, because it shifts position as the dough bakes and rises. You took your best guess when selecting your piece, but in the end you chose wrongly. This year, your brother-in-law is the winner. He triumphantly holds up the foil-wrapped coin, crumbs drifting to the table like dust motes. It’s his third time winning. Three years of good luck.

A part of you bristles at the unfairness of it all, but you say nothing. You swat the feeling away, telling yourself you’re being a sore loser. Your time will come. You swallow your disappointment and join the others in congratulating your brother-in-law.

The bread is rarely eaten the day of the celebration. After the coin is found, the rest of it is packed away, to be either stashed into freezers or eaten for breakfast the following morning. The festivities resume, and conversations pick up where they left off. The lucky one fingers the coin tucked safely away in his pocket. You know he will hide it in a drawer when he gets home so he doesn’t accidentally spend it. You often joke that you would lose it, and it’s probably for the best that you never win.

You feel giddy in this moment. A weight lifts off your shoulders while a pit forms in your stomach—all your hard work vanished in an instant. But your attempt was seemingly a success, and the tension drifts out of you like smoke on a breeze. Everyone had a good time. You have done your family proud. That in itself is a reward.

Even so, you hope you’ll win the coin next year.

What Gets Measured Gets Managed

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Physical fitness has always been important to me, though I never bothered to track how much or what I did. At best, I would make a mental note of the trails I had hiked or count laps in the pool. But after serious injuries sustained in two car accidents, tracking has become more pertinent. The physiotherapy and psychology clinics keep notes regarding my improvements, both physically and mentally, for my lawyer to review as he prepares the accident case.

With a chronic pain condition, swimming is the most comfortable sport. For many months, my ten-year-old, $12 stopwatch in its water-resistant plastic bag accompanied me to the public pool.

painting showing a woman floating in water

Spirit Stays Afloat by Rose L. Williams

As I started my laps one day, a man sharing my lane offered some advice about my choice of timing device: “You should get a watch.”

Taken aback, I replied, “I don’t have $200 for a watch.”

“This was a $330 Garmin fitness tracker on sale for $175,” he continued, clearly proud of his purchase.

I was annoyed with the criticism and moved into the next lane, where I received exactly the same speech from a different man sporting a $300 Tomtom fitness tracker–but he paid $180.

To be fair, I had considered a more expensive timing device before these conversations. Having heard the same speech twice in one day, I decided the time to upgrade had arrived. While I had no intention of paying $200 to do the work of my old stopwatch, I kept an eye out for a Boxing Day sale.

My new lightweight watch had myriad other features including tracking for indoor runs, walks, and pool swims. Outdoor tracking used GPS, handy for open water swims and hikes. In addition, it monitored sleep, steps, and heart rate, and included a cellphone finder, date and time, stopwatch, and could receive message notifications—all for $70 including GST.

My psychology team had concerns with the new purchase because I sometimes had trouble managing a proper pacing during my recovery, always attempting to “outrun my feelings.” Acknowledging that what gets measured gets managed, they worried I might push harder to continuously advance my performance rather than attend to my condition. I assured them that I only wanted to accurately keep track of my activities, especially my heart rate and sleep.

The fitness tracker came with minimal instructions, so it took a while for me to figure out how to track my heart rate, which inevitably shortened the battery life. When I started tracking hikes in the spring, the battery lasted only 8 kilometers as my heart rate fluctuated. By summer, my fitness had improved, and the watch could track up to 15 kilometers, if my heart rate remained steady.

Knowing my heart was stronger, on one occasion, I decided to lightly jog down a mountain trail. While I felt great, the fitness tracker kept alerting me that my heart rate was dangerously high. I breathed through my nose and slowed to a walk but the alarm continued until I stopped to eat. To my relief, trail runners have reported a similar problem with more expensive trackers. Another time, I thought my watch was broken, because it could not find my pulse, but everything else worked. I realized later my blood pressure was too low. With the timer feature, I sometimes take my pulse the old-fashioned way, more out of curiosity than concern.

Happy with my physical progress, the physiotherapy team complained about my poor sleep aggravating my brain injury. With stress and anxiety stemming from chronic pain, falling and staying asleep is difficult. Exercise from swimming and hiking induced a good night’s sleep, but on the days I didn’t do these activities, my fitness tracker recorded poor sleep patterns. By making a conscious effort to reduce my stress levels before bed, my fitness tracker has sometimes recorded a sleep score of 80, though I regularly score in the high 70s. The competitive edge never truly leaves; I never would have predicted that I needed to slow down to increase a score.

Insurance companies often incentivize people to use fitness trackers by lowering premiums or subsidizing the device cost. On the surface, these incentives help people become healthier. But because of long-term data storage, no one knows how the data might be used in the future. Premiums could go up if someone stops using the tracker–or companies could refuse to insure certain people based on their data.

I enjoy reviewing my exercise data at the end of the week, though the results often reinforce what my psychology team feared: I rely on the technology to help process difficult emotions rather than adopting a mindful approach to my feelings. I do find that tracking activities and seeing my progress makes recovery and goal-setting easier in many ways. At times, I worry if the insurance company can ask for my activity data. My lawyer warned me about insurance companies using social media posts against clients, but hasn’t voiced concern about my tracker. Maybe in the future, he will have to advise clients differently. And maybe in the future I will have some advice for the swimmers in my lane.

Algorithms

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There’s a video that periodically haunts my Facebook feed under “suggested for you.” It’s of a hippo saving a helpless little impala from being attacked by a crocodile. The impala is stranded on a tiny island and is forced to enter crocodile-infested waters in a desperate attempt to make it back to shore. A crocodile catches sight of it and zips up from behind. Just as its jaws are about to snap down on the poor impala’s torso, a hippo intervenes. There’s a dramatic underwater wrestling match but the impala springs up and safely makes it to shore.

Sometimes I’m served different versions of this video, showing the same cast of characters but with ominous music, multiple camera angles, and an odd montage of stock footage. There’s nothing particularly troubling about the videos (the impala always makes it in the end) yet I flinch every time I see the videos in my feed. For some reason, the algorithms served up this story to me—knew that at some point I’d watch it when I was online late at night and searching for new ways to save my family.

*

Last February, when most people around me were going about their normal lives, I quietly began preparing my family for a range of worst-case scenarios. I had read articles about the mysterious virus causing pneumonia-like symptoms and although the odds of a global pandemic still seemed slim, I liked the thought of being prepared. I didn’t buy up all the toilet paper in town but after my kids were in bed, I kept busy with over-planning. I scraped together a two-week supply of canned goods, stayed up late blanching carrots and stuffing kale into small freezer bags, and kept tabs on social posts from friends overseas.

I ordered a cheap inflatable kid’s pool on a March night. Rational me was living in March but pandemic me was already five months ahead, in an imagined worst-case scenario where my family was quarantined during an unprecedented heatwave. I imagined the supply chain collapsed and the window air conditioner that cools our tiny apartment broken or not working enough to spare the kids from heat exhaustion. (As it turned out, our city did have a heat wave and there was a shortage of outdoor toys but our window air conditioner held on.)

I’m a journalist and trained to filter facts from fear and sift through mountains of information to find trusted sources. But I am also the mom who broke down in a Sobeys aisle on a Wednesday afternoon, when the grocery store shelves were bare and I was wondering if we would ever find diapers or carrots again.

*

About a month ago, I had a vivid dream. It was dark and I was standing on the deck of a marina near a lake where a few sailboats had docked. People were hanging off every part of the boat, drinking and wearing crop tops and just living their lives. Then out of nowhere, a massive, muddy wave swelled behind them and enveloped the boats. I screamed but when the water receded, I saw that the people had held on and continued as if nothing had happened. More waves crashed down yet they continued to emerge unscathed and the scene kept repeating itself as the waves got closer to me. I stood there desperately trying to figure out if I was the only one sensing the danger and if it was okay to feel this afraid.

*

By April, I knew of friends and colleagues who were sick. It was closing in on us and I scoured the internet for any new info I could find on COVID-19 symptoms, asymptomatic symptoms, how to spot COVID toes in children, the best face masks for kids, survival rates of people with asthma…. As expected, my social media feeds were filled with ads promoting everything from face masks to remote real estate to toilets (perhaps from my attempts to find toilet paper in stock?).

That’s when algorithms began suggesting the impala video and a stream of related videos, all showing various rescues: Animals saving helpless animals (like the hippo and impala), humans saving baby animals, dashcam footage of people performing CPR on a newborn baby. My stomach lurched each time—it was the last thing I wanted to see at a time like this—and I almost always scrolled past. But occasionally, a headline would hook me or I’d hover just long enough for the video to start playing and I’d know the algorithms would continue to find me.

painting showing sheep with DNA strands and family photos

Fabric of Life by Brenda Whiteway

Algorithms are sets of calculations or steps that can solve problems and complete tasks. On websites and social media channels, they can analyze data, often drawn from our online behaviour and actions, to make predictions and play matchmaker. We see and read things that are more interesting or relevant to us (and hopefully stay a while or make a purchase). As we disclose information, read posts, and click on things, we kick up data about ourselves.

But sometimes it can feel like algorithms have a deep understanding of my needs, even before I do. Sometimes I’m no longer sure of when my actions are influencing the algorithms and when the algorithms are influencing me.

I watched a video where a young woman finds a baby shark on a sandy beach and drags it back into safe waters. In another video, a fox pup gets stuck between two fences, separated from its mother. A family rescues the pup and nurses it back to health but the mother fox knows her baby is there and comes back. She rips apart the backyard in a spectacular display of maternal rage—the remains of what looks like an inflatable pool strewn across the yard, arms ripped from dolls—as if to say, Give me back my baby now! Or at least, Don’t forget I’m still here! The human caregivers hatch an elaborate plan to reunite them and fuzzy footage shot at night shows the mother fox picking up her baby by its scruff. They run off together, reunited at last.

*

We were fortunate to be isolating during the pandemic yet I was buckling under the weight of trying to give my kids a “normal” life from inside our bubble. My daughter had ballet classes over Zoom and we played games, listened to records, and danced. We turned down the radio when the news updates came on but there was often too much worry to contain.

Rational me took comfort in the statistics and survival rates for kids but I still held them tightly each night. My partner and I had our babies a little later in life and have health issues. When the kids were fast asleep, I scoured online forums looking for answers to the one question I couldn’t find a statistic or scenario-plan for. But who will take care of the kids if we get sick?

One night, I assembled small packages of family heirlooms and memories for each of them, just in case. I thoughtfully divided jewellery, printed photos, and random things I’d tucked away in drawers, like their first scribbles and the tiny hospital bands we’d snipped from their wrists in the days after they were born. It was therapeutic in a way because I realized that I am not actually afraid to die—I’m afraid to leave my kids.

I tell my children I love them ten times a day but can never find the right words to describe the actual extent of my love. When I try to think of the words, I instead visualize random objects overflowing, like a flower vase left under a running tap in the sink. During a crisis, that overflow of love gets funnelled into over-planning. I perform a sequence of small actions, as if I’m spinning them a safety net made from random tasks they will never know about. I have always worked hard at keeping them alive. I hold their hands as we walk across swimming pool decks, slice their grapes into quarters, keep them away from unleashed dogs. I transfer a few dollars into a RESP each month. Rational me says this isn’t the right time but pandemic me is parenting a decade in the future, just in case.

*

In a latest dream, I am on the edge of a diving board above a public swimming pool and there is a long line of people behind me. Everyone’s telling me to go ahead and jump in with my baby in my arms, to not worry so much. I do jump but when we plunge underwater, I can no longer see him in my arms (or anything else for that matter). I start to panic and hold him as close as I can. I frantically kick my legs to get back up to the surface before he slips from my grip or tries to take a breath. As we burst out of the water, I look into his stunned little face and his wide brown eyes directly in front of mine and I’m certain he’s terrified. Then out of nowhere, he breaks out in the biggest smile—completely unaware of the danger that had just surrounded him.

 

Karaoke Machines and Asian Pop Stars on the Prairies

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In the early 1990s, I was in mainstream public elementary school in Calgary during the week. On the weekends, I was a student at the Calgary Chinese Public School in Chinatown. At the time, my father co-owned a Chinese restaurant. There were days and nights when I spent time in the manager’s office behind the reception counter after climbing a set of stairs from the street-level entrance. There, I worked on homework and played with office supplies.

On nights when there was karaoke and dancing, I sometimes got to peek out and watch as the evening progressed. In the darkened room, above a sea of heads belonging to diners, a projection screen was lowered. It hung from the ceiling just in front of the service bar that separated the dining room from the kitchen.

A karaoke hostess was hired on a weekly basis to lead the crowd in rounds of singing. The karaoke machine stood on top of a black, wooden cabinet. The hostess handed out the binders of songs to choose from. When someone in the audience had their turn, she opened the cabinet and selected a 12-inch, shiny laserdisc. As each restaurant guest took a turn at the microphone, music videos played on the projection screen.

One evening, a restaurant guest sang a particularly emotion-filled song, and the projection screen showed a music video that remains in my memory, though I do not remember what song it was or who performed in the music video. On the screen, a woman appeared to float in a landscape of darkened clouds as she walked among Asian male angels or ballet dancers. They stood at attention, their wings folded back and their muscular upper torsos exposed.

I think that was when my love of Asian music and pop culture began.

photo showing a group of people singing karaoke

Tcang Tchou Karaoke Lounge (installation) by Karen Tam

Over the years, from that time at the restaurant to the age I am now, in my late 30s, I have returned again and again to the music and musicians who made their names in Hong Kong in the 1980s and 1990s. It began with the music on the karaoke discs, but eventually led to music broadcasted on Fairchild Radio and discs borrowed from the public library, which had built up a collection of music in various languages and from different parts of the world. I have also bought my own CDs from Chinatown in Calgary, CDs filled with songs performed by musicians I learned about during junior high school when some friends collected trading cards of Hong Kong pop stars.

As I write this essay, I am listening to the songs of celebrated Hong Kong pop star Alan Tam, who was very popular in the 80s. I am trying to choose just one of his songs to play on the radio show I host on CJSW 90.9 FM, the radio station at the University of Calgary. I listen to Alan Tam regularly at home, but have yet to play any of his songs on the radio show. As I listen to his music now, I feel many different things.

The music, film, and television created in Hong Kong leading up to the handover to China in 1997 is a significant part of the cultural legacy of Hong Kong—and also has personal meaning to me. My family is from Guangdong, China, but my dad lived in Hong Kong before arriving in Canada, where I was born. My parents focused on work and had little time or money take us kids back to Hong Kong, so it was through music and television that I stayed connected to a place and culture that I felt drawn to as I went to high school and post-secondary school in Calgary and as I focused on becoming a writer and journalist.

After YouTube launched in 2005, the platform quickly became a place to view many of the Asian pop stars I had grown to love through music videos, karaoke videos, and concert footage. Since that time, the pop music and media industry has drastically changed in Hong Kong and China, with new artists promoted every year on new digital platforms. But I return to the same musicians again and again. Along with Alan Tam, I often listen to Faye Wong, Sandy Lam, and the late Leslie Cheung. When listening to pop music of the former British colony, and I feel a nostalgia I cannot quite explain.

Even now that I can easily access the music online, I have kept the discs, the ones I purchased in Chinatown, as well as the old 12-inch karaoke discs that remain in the black cabinet along with the karaoke machine in the basement of my home. I don’t know what will happen to the karaoke machine. The laserdisc format did not gain widespread popularity in North America; in Japan the company Pioneer bought the technology and manufactured the machines for home and restaurant use in Hong Kong and Southeast Asia. With the introduction of the DVD in 2001, the 12-inch laserdisc became less appealing. Over the years, it has become difficult to service the older equipment. Until our old karaoke machine is somehow repaired, the discs will stay inside the cabinet and serve as a reminder of the music of my childhood and where those late nights led me.

My father owned the restaurant for only a few years, and I would eventually leave Chinese school, as I had to focus on credit courses in mainstream public school. In university, I took one class in Mandarin for beginners. It was—and continues to be—through television, music videos with Chinese subtitles, and karaoke videos that I have kept up my reading comprehension and listening skills in Cantonese and Mandarin.

While attending journalism school in the mid-2000s, however, I found myself part of the art and culture scene in Calgary. I became involved with CJSW radio and went to spoken-word poetry events to record them for broadcast. I became a host on the feminist radio program “Yeah, What She Said,” which lead me to attend and cover Take Back the Night marches. I also volunteered for music festivals, signing up to be a venue manager.

I sometimes sing karaoke, too, but not very often. When I do sing, I usually choose “Heart of Glass” by Blondie or “Don’t Speak” by No Doubt. I have also sung songs by Shania Twain. After all this time, I do not have the confidence to sing in Chinese. But whenever I want, I can take out the 12-inch karaoke discs, search for the songs online, and practice.

Me and My Fancy Chair

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I depend on more than one piece of technology in my daily life. My wheelchair is the fanciest, most complicated, and most expensive piece of technology I own. I have a love-hate relationship with my wheelchair as it’s where I spend most of my time. I sit in my fancy chair for up to ten hours a day and it’s difficult to get me in the chair in a way that allows me to function easily. Being comfortable would be fantastic, but I know not to expect too much. I should be able to hold my head straight and move my right hand unhampered by the chair. My right hand functions the best; it’s the hand I rely on.

I have multiple sclerosis and the wheelchair enables my life. That’s the love. This chair, which was new to me in October 2019, offers many leg-positioning options that I didn’t have in my previous chair. (I would never go back to that previous chair. Oh, there’s the love showing again.)

It doesn’t work alone, however. My wheelchair will only help me lead a fulfilling life with the expert skill of my caretaker—a caretaker who experiments with different ways to place me in my chair, in the hopes of finding a better way, so I can make the most of my day. A caretaker who is also a good listener and problem-solver. With the help of my caretaker and another piece of technology, an overhead lift with its accompanying sling, I am placed in my chair in the morning and stay there throughout the day.

You have to imagine this morning routine: my wheelchair is parked alongside my bed. The sling is laid beneath me by my caretaker, who takes the six straps on both sides of the sling and attaches them to what I like to call “the death star” (mostly because it’s always getting in people’s way). It is in fact a battery operated lift that is lowered to my chest. The straps are expertly placed on hooks on either side of “the death star” so that it can lift me safely up out of bed and onto my chair. The lift slides impressively because of the ball bearings that move me from left to right, from the bed to the chair. I have to admire the smoothness of this ride. Do I enjoy it? Somewhat, it is safe. Do I like it? Not so much, because I do not physically participate. How the sling is placed beneath me relies completely on the experience and expertise of my caretaker. And how I land in the chair also relies on the carefulness of my caretaker.

art by Heather Huston showing a figure half-rising from bed

The Everyday Liminal by Heather Huston

Once I am in my chair, the sling below me, there are several shifts that have to take place to re-position me. It’s too complicated to describe in detail, but a small shift to the left will sit me in such a way that I am able to eat without choking and allows me to tap on the keyboard of my laptop and not fall further to the right in a slump that will become uncomfortable by the end of the day. The correct placement in my chair allows me to eat meals, open my laptop, watch Netflix, read and send emails, and write passages such as this one. On a good day, I will get to FaceTime my daughters, maybe share a laugh with my son. On a good day, I may enjoy a visit from a friend or walking the dog with my helper.

When daily living provides me with so many obstacles—things that tire me out—having a chair that can be adjusted with ease is extremely important. Any wheelchair needs to have ease of adjustment and this brings me to the hate side of my current chair: the design of its parts. How can adjusting a single part of a chair require so many different tools? This chair requires wrenches, Allen keys, and ratchets. Two different tools are required to raise or lower the armrest to a better position.

For example, with the flick of a switch located just beside the seat of my chair, the armrest can be pulled out of its position and only with difficulty placed back securely. It is in fact easier to pull the armrest out than re-position it. This is a safety flaw; the opposite of a safety feature.

Let’s talk design some more. The head rest is secured to the back of the chair with a bolt. A wrench is required to loosen or tighten it. But the bolt at the base of the head rest is hidden behind a touchscreen. This is a secondary touchscreen meant to allow my caretaker to tilt, elevate, or turn the chair right or left. We don’t use this feature (fortunately I can use the controls myself). But I’ve become frustrated when we have to tighten the base of the head rest and it’s hidden behind this touchscreen. The second screen is simply bulk that is more annoying than useful.

In effect, what I’m asking for is a chair that allows me to move enough to get my daily activities done, while I’m also being physically supported, so I don’t tire myself out. On the 50th anniversary of the moon landing, as I was bumped and scuttled throughout the day and required a re-positioning in my chair, I joked that if NASA built me a chair, it would be the best chair possible. And that is my secret, playful wish: for NASA to build me a wheelchair.

 

In a Rita-Perfect World

As uncomplicated as silent companionship
when we listen
To simple playful magic
and the air…

When we listen
to a whale’s blow hole.
and the air escaping
reminds me of

a whale’s blow hole.
Bumped and scuttled between boats
and reminding me of swimming
between fishing lines.

Bumped and scuttled between boats,
submerged in the Saint Lawrence Seaway
between fishing lines,
the world sounds garbled.

Submerged in the Saint Lawrence Seaway,
when we take care of each other,
the world sounds garbled
then something new wants to be born.

When we take care of each other,
and remember to play,
something new wants to be born,
then laughter becomes the shower for the soul.

Remember to play,
when there are no more right whale deaths.
then laughter becomes the shower for the soul.
In a Rita-Perfect World;

when there are no more right whale deaths.
NASA will build me a wheelchair
as uncomplicated as silent companionship.