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Filling the Void

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VODKA
She was young. Many would say too young. Jasmine was fourteen years old when she first tasted alcohol. Being homeschooled until grade six hadn’t been an advantage when it came to fitting in at middle school. She wanted to be popular, as many young girls do. She looked at the different groups of kids and at the top of the pile were the jocks. She knew she would never fit in with them. She was never very sporty and although the jocks were considered popular she thought they were kind of dull and boring. Then there were the band geeks and the artsy kids, but they were losers in her eyes and she didn’t want to be looked at that way. One day while exiting the school, she noticed a group of kids smoking outside and she thought they looked cool and tough and everyone else seemed to be mildly afraid of them. Everyone called them the druggy group. She decided she would become part of this group.

Jasmine befriended a girl who she thought of as a “total druggy” and asked her to hang out. This girl suggested that they get drunk. Jasmine lied, saying that she had “been drunk many times before,” although it was her first time and she felt a bit scared but the desire to impress this girl was stronger than her fear. The two went to a liquor store and waited for a stranger to come by who was willing to “boot” for them. They got a 2-6 of vodka and went home to Jasmine’s basement where her strict parents were upstairs. They opened the bottle and the girl took a swig. Now it was Jasmine’s turn. She put the bottle to her lips. The unfamiliar smell almost turned her insides but she didn’t want to look stupid in front of this girl so she forced herself to take a large gulp. It burned as it slid down her throat and hit her empty stomach. It made her ill but she loved the feeling that it gave her, it was euphoria. She continued, she simply couldn’t get enough of the fiery liquid. She eventually blacked out and then threw up much of the night and felt terrible the next day but that didn’t matter. The feeling she got from the alcohol was so addictive that she couldn’t stop herself. In her own words, “This was where my journey began.”

 

ECSTACY
Jasmine was now fifteen and, all too soon, alcohol became boring and no longer filled that forever-hungry, growling void inside her. Although she still indulged in alcohol and weed whenever the chance presented itself (and that came often), she needed more. In fact, there weren’t many days when she wasn’t under some kind of influence. She drank and smoked at school with her friends and the teachers never seemed to be the wiser or, if they were, they didn’t seem to care. As time went on, she had to imbibe more and more to feel the effects. She had to move on to bigger and better things. She moved on to ecstasy. Life got progressively worse and she ran away from home shortly after turning sixteen. She couch-surfed or slept wherever she could. It didn’t matter, it felt good to live her own life. She had been expelled from school by then and maybe that was good because she was mostly checked out when she was there anyway. Her parents called the cops and the police caught her and her seventy ecstasy pills. Even Jasmine’s friends thought she was crazy to buy so many pills at once but she was never the kind to do something half way and she had a stash of money that she had been saving to buy a car. The police couldn’t hold her or maybe they thought she would be fine now—just a young girl on the wrong path. It was a mistake to release her though because shortly afterwards she overdosed for the first time.

Her parents knew they had to do something drastic but also knew Jasmine wouldn’t willingly go to rehab. They told her they were going on a trip to visit some family in a nearby town. Jasmine didn’t suspect anything and resolved to not do any drugs on the short trip but she constantly thought about getting her next hit when she got home. She wouldn’t get home for a long time. She was checked into rehab. Her life had gotten out of hand so quickly. Even Jasmine knew she could not continue in this way. She met a councillor at the rehab centre and they connected because the councillor articulated what Jasmine was feeling. Other than that, rehab was all about getting through each day, making it out, getting back to real life. Jasmine did well in rehab and made lots of progress. She was released and it lasted … but not for long.

 

COCAINE
Jasmine finished rehab and everything was going well. She had a job and was developing friends in a new town where there were none of the old temptations from her home town. But soon the void inside her reared its ugly head yet again. This time, weed, alcohol and ecstasy were not enough, the void needed something stronger. Being sober had been a good thing for Jasmine. She knew this but was unable to resist the need to be numb. Cocaine was the next step on her journey and, luckily, it would be her last step before she knew she had to quit.

Her second relapse since leaving rehab was longer and much worse than the first. She continued to feel more empty the more drugs and alcohol she had. Coming down from coke was worse than anything she could imagine and the only way to make it better was to do more coke. At first, it was exhilarating because she was able to convince herself that she was better on the drugs. More productive. Faster. Smarter. But that soon faded away and all that was left was a shell of a human being. She cared about nothing except drugs and alcohol. She cared least about herself. She was so empty that it was unbearable and the cocaine made her forget for a little bit but eventually nothing would be enough to calm that inner voice, that inner fear and self-loathing.

Jasmine knew, just knew, deep inside that she couldn’t continue down this path. She had the sudden realization that she would die if she didn’t stop. Maybe part of her didn’t mind dying but another part wanted to live, for her family and for the hope that things could really get better. So she made a deal with herself: get sober for good or die. Jasmine decided to check herself back into rehab and make it work. If she wasn’t sober in six months, she would commit suicide.

 

EPILOGUE
Jasmine’s last attempt to get sober worked. She has been sober for over five years now. She has a good job and has just finished getting her high school equivalent. She is also a budding photographer and enjoys capturing lasting moments. In fact, she shot the photographs in this essay. On taking these photographs of substances that once plagued her and almost killed her, she says: “I don’t feel like I am a slave to those substances any longer. I can be around them and be unattached to them and what I went through. It’s a letting go of the past.”

Disclaimer: Names have been changed or omitted to protect the identities of the involved individuals. However, all events are true.
 
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Related reading: “In the Museum of Your Last Day” by Susie Berg

In Between

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Even though my passport says I am Canadian, my body—my tanned skin and my dark hair—sometimes suggests otherwise. When I was nineteen, I left my home in Toronto for a five-week French immersion program in Chicoutimi, a lovely little town in northern Quebec. When I first met my host family, my host mother Marie-Paul asked me, “D’ou viens-tu?” or Where do you come from?

“Je viens de Toronto,” I replied.

“Non, non, quel pays?” Which country, she asked, shaking her head.

“Oh. Mes parents viennent de la Guyane.”

“La Guyane Francaise?” Both of my host parents laughed.

I laughed too the first time, but when this joke was endlessly repeated, it ceased to be funny. When you are told the same thing over and over again, it can become part of you. I came to think of myself as an outsider in Canada, even though I was born and raised in Toronto.

And yet, I don’t feel a strong connection to Guyanese culture—in my home in Toronto or the “homeland” of Guyana—either. Most of my high school was Indo-Carribean or Indian but the stereotypical Guyanese girl in Toronto is rowdy, likes to have a good time, loves to dance, drink and fête until the sun comes up. They can be stubborn and mouth off. Obviously, this doesn’t apply to every West Indian, but it is the image that’s perpetuated. So my little sister loves to call me white-washed. She cites my disdain for heavy drinking, the fact that I don’t go crazy on the dance floor and my absolute aggravation when she blasts chutney music from her bedroom. According to the stereotype, I should like these things. According to my sister, that fact that I don’t makes me white.

So I’m not quite Canadian and not quite Guyanese-Canadian. Where does that leave me?

Waiting by Tiffany Rambali

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I have only two memories from my first voyage to Guyana, a trip that I made with my family when I was six years old. The first is of lying in a hammock when a frog jumped onto the cement underneath me. It settled in, relaxing. Its bulbous eyes seemed to pop out of its skull, black lines painted across its slimy green skin like veins. I was amazed that a frog could live in such a hot country. I could just imagine it melting into green slime until it was nothing but a cartoony pair of eyes.

The second memory is of the night we spent in my “grandma’s” house. She was not actually my grandmother; I’m not sure how we were related. That’s a funny thing about West Indians: everyone older than you is an aunty, uncle, grandma or grandpa. At this grandma’s house, I slept underneath a mosquito net in a room with the window open. Even at night, the humidity was suffocating, and even with the net I could feel my skin starting to itch. I tossed and turned until I finally fell asleep.

What I don’t remember from my first visit to Guyana was what struck me most on my second visit when I was eighteen. That time, we stayed with my mother’s cousin. All I could see were divisions, that Guyana was not one people, one race or one class: The fancy community where my relatives lived, the houses all like mansions with their own security guards and gates, and the shacks lined up in the village five minutes away. The names of the village and streets in French, English and Dutch, all remnants of the colonizers who left their footprints. The congregation of black people and Indian people in the malls and the way they eyed each other with apprehension. The domestic dogs, strong and fearsome like regal guards of a palace, and the strays with skin adhering to their bones, passed out in the heat.

There were no stereotypical Guyanese girls here. Yet, everywhere we went during that trip, I still felt like an outsider. In Guyana, everyone can tell you are from “out-away” by your clothes, your accent and for the simple fact that they don’t know you in a country where everyone knows everyone.

One night I was chatting with my cousin Kiesha. We were identical in age but I already assumed we would be different. She was Guyanese, after all, and I was…? I still wasn’t sure.

“I don’t really like to drink,” I told Kiesha. “I might have one or two, but that’s it.” I expected Kiesha to scoff at me, to laugh at my inexperience and “whiteness.”

“Oh, you’re like me,” she said. “I don’t like going out and drinking too much.”

You’re like me…. A little phrase that stuck with me. Kiesha and I were actually very much alike. We were both studious, partied in moderation and we both enjoyed a healthy number of extracurricular councils at school. We were even physically alike, our dark hair shoulder length and slightly frizzy, our bodies petite but slightly curvy—young women who could fit in each other’s clothes. How could someone so far from home be closer to me than the girls in my school?

I had always disassociated myself from post-colonial and diasporic stories. They seemed to be about the mixed-race child trying to make sense of their mom and dad’s sides of the family. Or they told of the immigrant in shock, of trying to pick up a new language in a new land. All of the characters, sometimes fictional and sometimes real, were literally outsiders—born outside their resident country. But the truth is, the children of immigrants are sometimes just as lost. Immigrant families flock together in niche neighbourhoods in select cities and their children try to navigate the culture of their community within the larger Canadian culture, the two constantly at odds—as they often are in me.

I had always felt stuck in that jarring gap between Canadian and Guyanese. It sometimes felt like a gorge, dark and lonely, any hint of a bridge long eroded away. But as I get older, as my known world expands, I’m learning to find myself in that in-between space and build my own connections across this gap. I’m starting to write my own story.

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Related reading: Two poems by Ayesha Chatterjee

Play Theory

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Play Theory

Her shoe tumbled from my trembling fingertips
I always attempted to put it back onto the slender foot
But I realized that it was no use
I was powerless over this plastic girl

And so I went to my computer
Where I entered into a world
Where I could manipulate everything
With only a blank page
And a keyboard

And my mind

And everything I had wanted to pretend
Tumbled out in words

Ten years later
What comes out
Is no longer pretend
But about everything shaped by my powerlessness

My thoughts
On the challenges I face
For being a girl
For being disabled
In this new world disorder

Women must shout for their rights
They must chant
And blockade
And march
But they must also be silent
With paper and pen

Or computer

Because sometimes
Words
Speak louder
Than actions

Shoe Collage by Various Artists

 

 

 

 

 

 

 

 

 

 

 

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Related reading: Issue Six—Extraordinary

Power

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Power

Power
thought they took it away
when they exchanged our crowns for chains
Pain
Embedded
not knowing where I was headed
Lost
I tried to remember the footprints
In the sand
I followed the man
to a ship
enslaved
On it engraved
“Blacks only”
Only blacks
They tried to attack
So I ran
Back through the sand
Feeling the pressure
Of my grandmother on my heels
she revealed
Power
Pointing to my heart
She said this is where you start
And ever since
It all made sense
they couldn’t take
what I was told to embrace
away from me
my grandmother paved for me
A road I was allowed to walk on
She was silenced
I was allowed to speak
So when I scream I try to teach
why the black woman is said to be angry
We were possessions never the prize
His story told so many lies
that’s when I knew
I had to become the voice for you
through darkness the only way to get through the night
Is to follow the sounds that lead you to light
blinded but able to hear
I can feel her close she’s very near
whispering the legacy
on the road she paved for me
I wait for other women
so they can too find peace

Cover art by Yewande Taiwo

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Related reading: “Women in Prison” by El Jones

Legacy

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Legacy

As the shadow moves, bouncing
gently, the breeze lightly
brushes this massive maple,
a living thing, necessary—
strong, solid, hardy—
with leaves the width of
my hand, fingers spread.

Its limbs reach high
and roots dig deep.
The wheel of time
rests against its hardy
trunk, a wagon wheel—painted
to make old look old—but new
is the garden at its base,
surrounded by stone.
A circle, in a circle.

The house, as solid and firm
as its companion standing
stoic in the yard, remains strong.
How long has it been here?
Longer than you or I.

A photograph, missing, of father
or mother, or son or daughter—I
don’t remember which,
where, or when—standing before it.
Heritage. This house, this land
has history.

The tree comes to just above
their heads—tall but out of reach.
The man wearing a suit, the
woman, a dress. Were they smiling?
Written on the back of the photograph
was the date, 1884 or 1886. I wish
I could remember.

What special event would warrant
a photograph? Is the date the age
of the house? Or is it recording the birth
of a child? I was told there were twins—
two houses, two brothers—one who built
an exact copy of this house
just down the road,
with the floor plans reversed.

We do not need to leave
the front light on
to encourage shadows
and stories to play in its light.
Here inspiration is rich
and as colourful as the story
of the little white cottage
that used to be on the hill
in our back yard.

A book titled
The Rock Before the Door:
He, who grew up in that house
on the hill by the rock
by the door, fished. First with
father and brothers, then as captain
on the great sea. He dreamed.
He wrote. He built his house
at the bottom of the hill.
Life was a promise.
A house was a home.

Connections, yet not
connected. Related, but
not. Our family is
new to this house.
Our hearts already buried
deep in its land. Our mark
made. The land, its warmth
felt in the breeze, its touch
sensed in the rain, its
comfort heard in the birds’ call,
reaches out to embrace.

First child to be born to this
house in over one hundred years:
My child, this house
is your home.
Your legacy is older
than the tree and the house behind it,
and ready to be as rich as the stories
of that little white-washed cottage
that used to sit on the hill.

rock-before-the-door-_our-house2

Sketch from The Rock Before the Door