To the delicate girl who kept getting thinner—
thin as smoke from a cigarette,
a fault line in her green eyes.
To the young man
whose father slipped into his bed,
his fury trapped, a coiled cobra.
It was hot,
sun pounded windows that couldn’t open.
But
something opened
when one girl said to another.
You wrote that? Wow.
To M who said, I can write about cutting,
but I don’t want to upset
anyone.
Kids with piercings, scars, tattoos,
boys with tangled curls,
shaven-headed girls—the staff unlocked the doors
and marched you through.
Though the world had twisted,
like a chicken’s neck, your anger,
I believed, uncensored,
you could begin to discover who you were.
You’re making me happy, D said.
You love poetry, don’t you?
D said one morning.
Don’t come back
was the message the red-haired nurse
left on my phone that night. She was tired.
I made more work for her. How else explain
why she was annoyed each week I showed up.
If she treats you that way,
the psychiatrist said, imagine how she treats the kids. Like wrecks that skid
when the brakes fail.
It was tough in that place
where nothing was savoured and No
was the word.
But you know that.
You whose words were rough and frail,
and so often out of favour.
A moving poem, thanks Carole. Thanks for the image Ann Holloway.
Carole, your poem is a wonderful one, though so very sad. Hearing of the six skeletons of babies in a locker in Calgary today, I couldn’t help but think how hard it is to be fully human. How can we harm the innocent and helpless so cruelly? I couldn’t read the locker story–I can’t change it, and it will haunt me whether I know the details or not, but I feel a bit of a coward–Margaret Atwood has a line in a poem about torture along the lines of, “bear witness is what we can do,” and this poem somehow bears witness and gives hope, too. It’s beautiful.
Carole , your poem to me is gently written .