Author Archives: Katherine J. Barrett

Katherine J. Barrett

About Katherine J. Barrett

Katherine J. Barrett is Understorey’s founder and editor in chief. Katherine is a writer, editor, researcher and mother of three. She has worked on women's and environmental issues for many years and has edited for Literary Mama, the feminist publisher Demeter Press, the Afghan Women's Writing Project and the Canadian environmental magazine Alternatives Journal. Katherine has published academic papers as well as short fiction, monthly columns and literary essays. She believes writing and sharing stories can empower, shift attitudes and build community.

Time to Grow Up, Mommy Lit

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Waiting for the Parade by Kat Frick Miller

Waiting for the Parade by Kat Frick Miller

The “second oldest profession,” Erma Bombeck wrote of motherhood in her 1983 book on caring for “children, a husband, and oneself.”

Motherhood is indeed an ancient profession—or job, or calling, or stage of life—yet Bombeck’s book was among the first to discuss it candidly. We have printed and distributed books since the 1400s. Women have mothered since life began. And yet the history of books about motherhood spans roughly 40 years.

Feminist scholars have debated the role of mothers and motherhood at least since the 1960s, but Adrienne Rich opened the discussion to a broader audience with her 1976 book, Of Woman Born. Like Bombeck, Rich drew on her own experience as a mother and included entries from her personal journal. In this sense, Rich and Bombeck were forerunners of today’s mommy bloggers. Of Woman Born takes a broader, more political and feminist point of view than Bombeck’s book of humour and advice, but both authors aimed to dispel the idea that motherhood is easy, natural, private, and the most significant way to define a woman.

Following Rich’s book, motherhood studies gained some traction in the publishing world with The Reproduction of Mothering (1978), The Myths of Motherhood (1994), The Mommy Myth (2004), and The Maternal is Political (2008), to list a few. Despite this relative boom, books on motherhood remained fringe, a serious read for a dedicated few.

Mother-writing moved toward mainstream with first-hand accounts from the trenches. Anne Lamott published Operating Instructions: A Journal of My Son’s First Year in 1993. At twenty years old, the book is considered a classic of motherhood memoirs. Subsequent works by Ariel Gore, Rachel Cusk and others portrayed the messy reality of motherhood: hard, diverse, ungoverned yet public. These were raw, brave works that ushered a new age of mommy lit.

And then there was blogging.

Weblogs, as they were first called, provided an easy platform to chronicle motherhood as it happened. Blogging opened the doors to thousands of homes and the mothering within. Heather Armstrong’s Dooce (2001), The Mommy Blog (2002), Her Bad Mother (2006) and the many blogs that followed have shown motherhood uncensored. Projectile poop, morning swigs of vodka, post-partum sex (or lack thereof), toddler tantrums captured in video—nothing is too real, too irreverent, for the mommy blog.

It’s the irreverence that seems to sell. The most successful mommy blogs have become books, and the most successful of those have become bestsellers. From Armstrong’s It Sucked and Then I Cried and to the current hit, I Heart My Little A-Holes, mommy blogs-turned-books have given voice to the anti-mom. Popular mother-writers are self-described naughty, slacker, slummy, scary and/or sh*tty moms.

We ought to thank the anti-mom—the one on our bookshelf and the one in our head. Her swearing, drinking, and willingness to publicize her children’s toilet-training have freed mothers (in North America, at least) to rage, I’m so much more than this! Her storming through major publishing houses in pajama pants and stilettos has allowed books about “holy-crap moments” of motherhood to breach the New York Times bestseller list.

But it’s time to move on.

The toddler years of mommy lit, Adrienne Rich and the women who followed, broke the silence. We learned to speak and write about the everyday of motherhood. The delinquent teen years, rife with slummy mommies, let the world know that both kids and moms can be “a-holes.” The teen years shook us up, grabbed our attention—and that of publishers.

Let’s now move toward a sophisticated adulthood of mother-writing. Let’s move toward Pulitzer-winning journalism and memoir about the ways motherhood shapes women’s lives and every element of our world: schools, violence, medicine, garbage, farming, war. Let’s move toward Booker-prize-winning fiction with complex, diverse and fascinating mothers as protagonists. Writers like Maggie O’Farrell, Jenny Offill, and Ann-Marie MacDonald have led the way, crafting motherhoods neither sentimental nor snarky, women whose lives neither begin nor end with—but are clearly changed by—motherhood.

At Understorey Magazine, we hope to inspire this next wave of mother-writing. We hope the essays, fiction, poems and excerpts published here will spark the literary prize-winning books of tomorrow. We invite you to read our current and past issues, to consider, to comment—and of course, to write.

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If you like what you read in Understorey, please consider making a donation. We are a non-profit organization and rely on grants and donations to continue our work. Thank you!

Photos from Authors’ Reading

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We had a wonderfully literary afternoon on July 27 at the Second Story Women’s Centre. Three local authors read from books released earlier this year.

kate_inglis
Kate Inglis read passages describing Missy Bullseye, the junk-scrapping pirate heroine from Flight of the Griffons.

linda_little

Linda Little read from Grist and poetically described the life of Penelope, a single mill-owner in nineteenth-century Nova Scotia.

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And Natalie Meisner entertained with excerpts from Double Pregnant: Two Lesbians Make a Family.

Thank you, readers and audience!

Three Quick Reviews: Writing Guides for Women

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Check Goodreads or Indiebound, and you’ll find a virtual bookcase of writing guides: books on verse, dialogue, and plot; books for academics, Christians, and preschoolers. Precious few, however, have been created for women. Of course, women don’t always need or want gender-specific writing advice, but for some of life’s changes and challenges—motherhood, for instance—tailored guidance can provide just the right incentive and inspiration.

In the first in our blog series, Three Quick Reviews, we suggest three women-centric books on the craft of writing.

Use-Your-WordsUse Your Words: A Writing Guide for Mothers
Kate Hopper
Viva Editions; 2012

In this excellent guide to creative nonfiction (CNF), Hopper draws on her life as a writing teacher and mother as well as on her memoir, Ready for Air: A Journey Through Premature Motherhood. She covers essential elements of CNF such as finding a voice, choosing a tense, reflecting on personal experience, and getting published. Hopper also advises on aspects particular to mother-writing: dealing with pain and fear, revealing details of family, and finding humor in the everyday. Many examples of published CNF illustrate how these elements work. Enticing exercises invite new writers to get started and experienced writers to hone their craft.

penonfirePen on Fire: A Busy Woman’s Guide to Finding the Writer Within
Barbara DeMarco-Barrett
Harcourt; 2004

DeMarco-Barrett begins with that gigantic, looming hurdle to a successful writing life: time. We’re busy. We have families and jobs and a messy kitchen and an urgent deadline. When could we possibly write? Now, she says. Write in those few minutes before the kids wake up or that single minute while the kettle boils. You don’t need a quiet morning and a cozy office, just a notebook and determination. In short, engaging chapters, DeMarco-Barrett provides advice on getting organized, avoiding distractions, mining your life for ideas, and polishing your drafts—even if that draft is written on the back of your kid’s homework.

writingpastdarkWriting Past Dark: Envy, Fear, Distraction, and other Dilemmas in the Writer’s Life
Bonnie Friedman
Harper Collins, 1993

While not explicitly for women, Writing Past Dark, deals with emotional obstacles to the writer’s life felt, perhaps, more keenly by women. Friedman says she wrote the book because “I wanted a companion I could reach for” during the lonely writing process. Historically, women have been lonely, isolated writers indeed. But even now, the new mother who ekes out time for a blog, the single mom who gets up early to write poetry, the MFA mom in the midst of the “ten-year nap” who watches childless colleagues publish books and win awards—these women surely feel the envy, fear, distraction, and paralyzing writer’s block Friedman describes so beautifully.

Do you have a favourite writing guide? Can you recommend a guide for women or mothers? Do you have an idea for our next Three Quick Reviews? Add a comment to this post or email your idea to [email protected]

What Did You Do Today?

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Family by Jay Leblanc

Family by Jay Leblanc

No doubt you’ve been asked, perhaps by a partner, an acquaintance, your own child returning from school: “What did you do today?”

Maybe you have asked yourself: What have I done today? What have I achieved?

How do you respond?

“I sold two paintings.”

“I closed a deal.”

“I ran 10K.”

Do you respond with the big things we tend to count as true accomplishments or the smaller things, the hundreds of smaller things we do every day?

“I made coffee, fed the cat, took out the garbage and washed the kitchen bin, put in a load of laundry, helped three boys make their breakfast, swept Rice Chex off the floor, wiped jam from the chair backs, unloaded and reloaded the dishwasher, made three (different) school lunches, and pumped a flat bike tire… all before 8 am.”

Not world-changing.

Not glamourous.

Sometimes not even noticed.

But necessary.

We “do” so much as mothers, caregivers, partners, working women. Our days are filled with accomplishments both monumental and mundane. For some we receive, or allow ourselves recognition; for many we do not. For some we feel satisfaction and pride; for others guilt, resentment or sheer boredom.

We invite you to keep track—for an hour, a day, a week—of what you do. Not a “to-do” but an “I’ve-done” list. Send your list to Understorey and we will publish it on our new blog (anonymously, if you prefer). See our contact page for addresses.

In his book Material World, Peter Menzel documented possessions; households around the world were emptied onto the street and photographed. In What I Eat, Menzel and Faith D’Aluisio documented the daily food intake of people from diverse cultures and backgrounds. And in Where Children Sleep, James Mollison captured the sad and startling places children rest at night.

In a similar way, the “I’ve done” lists are meant as art of the everyday, a literary gallery of the number and diversity of womens’ daily achievements. The lists are also a way for all women—writers and non-writers, from Nova Scotia and away—to contribute to the magazine. Not a competition but a celebration. Not a challenge but a small tribute to ourselves and each other.

I hope to hear from you.

Katherine

PS. Need inspiration? See recently posted lists by Linda Roe, Lesley Crewe, Sheila Morrison, and Su Rogers. But remember, you don’t have to provide your name!