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Big Chop

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Grace cut through the Common as she walked to her appointment at Crowning Glory. A monarch butterfly crossed her path. Grace paused, surprised. It flew left, right, then dipped low near a bed of mature coneflowers. The insect’s large orange and black wings opened and closed in the afternoon sun. It floated high behind an oak tree and disappeared. Grace stared after the insect feeling hopeful. Monarchs were still here. Perhaps it was migrating south. She couldn’t remember seeing one since she was a kid. She was forty-five now. “Half way to ninety,” a niece had gleefully shouted at Grace’s birthday.

Outside the Common, Grace crossed several lanes of traffic, the hot asphalt and metallic thrumming of engines a counterpoint to the peace of the garden. Entering the salon a few blocks later, she found Patti humming to gospel playing in the background. “Have a seat, my dear,” Patti waved her in. “What are we doing today?”

Grace greeted Patti, sat in the hairdresser’s chair and examined herself in the mirror. Gray and silver and white had taken over her once black hair. She had resisted pressure to dye it in her thirties. The grayer it got, the harder it became to style. Wiry grays refused to curl tightly with the rest. Grace held up her phone with a photo of the hairstyle she wanted. “You want the big chop?” Patti raised her eyebrows. “You sure?”

Grace had been here once before. A different chair, another mirror. At twenty, she cut off the chemically straightened hair she’d cultivated since her early teens, though no one called it a big chop back then. In high school, she had wanted long smooth hair, to help her fit in, a black girl in her mostly white suburb and school.

In university, she’d embraced her blackness, despite not always knowing what that meant. Her father was Ghanaian, born in Accra, her mother Black Nova Scotian, from Dartmouth. Growing up, she’d been teased for being African. She was African and Scotian, not always enough, or too much, of both. Cutting her hair short the first time had been exciting. An experiment. She wanted to find herself, try new things. She loved the soft spring of her tight curls, the round shape of her head. “Now you really look African,” exclaimed her roommate Meg, after that first cut. She and Meg, who was adopted, had spent time discussing their backgrounds, though Meg tended to make a joke of everything. Grace rolled her eyes. “What? You do,” Meg insisted. “It’s cool,” Grace said. African. She took it as a compliment.

Grace had kept her hair short for over a year, wearing hoops and lipstick so she wouldn’t be mistaken for a boy. Then she grew it long and kept it in its natural state, her hair evolving alongside her education and career. After two degrees—Psychology and Human Resources—she’d moved through several jobs in staffing and training, eventually finding herself managing labour relations in university admin. It wasn’t the academic teaching career her parents had envisioned for her, but she earned a good living.

At work, she styled her hair in sleek buns and updos, occasionally wearing a blow-out straight style and receiving compliments for looking “professional.” After mentioning her impending cut at work last week, her co-worker Marcia said, “You’ll pull it off. I’m not ready to give up yet. Maybe when I’m seventy.” Grace didn’t think she was giving up. Would she look chic, as another friend suggested, or just old? Was short hair giving up on femininity? She wanted to feel attractive and natural, for herself rather than her boyfriend or friends.

Grace looked up at Patti, who was waiting for a reply. “I’m sure,” Grace said. Patti was older than Grace, but looked younger, her long black braids wound high on her head, her dark brown skin still smooth. Glancing in the mirror again, Grace thought she glimpsed her ninety-one-year-old grandmother winking back at her, a long white braid resting on her shoulder. Graced blinked away the image, feeling foolish.

No, Grace reassured Patti, she hadn’t broken up with Shawn. Or quit her job. No one close to her had died. “I have to ask,” Patti said. “People come in here after some dramatic event, get their hair cut off or dyed blond.” Patti lowered her voice. “Then they’re back here crying, saying what have I done?”

“Not me, I promise.” Grace laughed, but she had thought about it for months. Carry on or let go? Her hair represented years of effort and identity, history. She was ready to leave behind the products, the prep time, her look.

There was a flash of metal in the mirror as Patti poised her scissors above Grace’s head. The radio had shifted from Yolanda Adams to old school R ‘n B. Aaliyah, Luther, TLC. Grace relaxed, sat a little straighter in the chair. “Ok,” she signaled to Patti. As Patti began to cut large sections of her hair, Grace came back to wondering about herself. Why should her hair be so much of her self? What was identity anyway? Life’s losses and accumulations, she supposed. Small shifts in awareness.


Been Caught Dreaming (1990) by Chrystal Clements

Grace hadn’t married. Despite some early troubles and times apart, Grace and Shawn had always gone back to each other. When they were younger, she’d worried he’d leave her. In their thirties, he wanted children, she was unsure. She had started a new job and was afraid to take time away as her career was solidifying. Then, she thought they’d be tied together forever if they had a child. She waited too long. Privately, they spent time and money on fertility treatments. The agony of waiting, the expectations and failures, exhausted them. When she turned forty, she’d had enough, and they stopped trying. She was relieved. Shawn was sad. Still, they remained committed to each other.

Shawn was a fun uncle to their nieces and nephews, who had rotated through their townhouse over the years. She’d viewed them all with slight detachment initially, even the two from her own brother. When she babysat them, their quirks made her laugh; she realized she loved them. She had wanted her own: a reflection of herself, a sum of her life with Shawn, she admitted that now. Her body had thwarted her tardy realizations. Or had it been the other way around?

“No regrets, right?” Patti questioned and ordered at once, as she continued to cut. “No regrets,” Grace echoed, while thinking of things she had in fact regretted—the too-corporate work, the years spent seeking approval from family and friends. Her indecision.

Grace knew it was time for a change one evening last month. The August full moon, bright orange at the horizon, was rising. Its neon glow drew her to the window. She had a premonition she wouldn’t sleep that night. Ruminating at midnight, Grace got out of bed, and made her way downstairs. She banged her knee as she sat at the kitchen table, awash in moonlight. A spot on her right kneecap, scarred from a car accident in her teens, was itchy and rough. Though the scars had long since receded, a single raised keloid remained. Feeling an opening, she scratched until a single shard of glass, the size of a grain of sand, emerged from the scar. Grace was impressed, all that time, her body held this minute fragment. She rubbed the shard in her fingers and felt it slip to the floor. She thought she would tell Shawn, but it was gone. She reclined in the kitchen chair and pulled at the long spirals of her hair. The silver coils shimmered in the white light. “It’s too much,” she decided. “I’ll cut it.” Tired finally, she returned to bed. She would make an appointment in the morning.

“A little shorter, please, Patti,” Grace said, focusing on the mirror again. Patti’s experienced fingers cut deftly, shorter and lower, until her hair was neat and close-cropped. Clumps of thick curls lay on the floor around them. Patti held a hand mirror up for Grace to examine the back. She could see her scalp through the soft gray fuzz, only a hint of curl remained at the crown of her head.

Grace rubbed her head, feeling exhilarated and a lightness. She paid Patti, thanked her and stepped out of the salon into the parking lot, pleased with herself. Across the street was a busy shopping centre, to the right the Macdonald Bridge streamed Saturday afternoon traffic. At left, on a vacant lot of scrub and loose concrete, crickets sang against the street noise. Or were they cicadas hidden in the dry grass and weeds? A chorus to the passage of time, which, if you weren’t careful, Grace thought, went by unacknowledged. A disappearing monarch, a lost shard. Hair sheared off and swept away.

Two Poems

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Busting Bollywood — A Ghazal

Fair, light, gori gori of course.
Mukherjee Sunderji is she.
Vibrations and hips in sync.
Unnatural crimson is she.

You are so young. You are so ripe.

Cinema lights are bright and bold.
Dalit untouchable is she.
Unbutton more, the director nudges.
Hijra with henna hands is she.

You look so young. You are a peach.

Say no this time.
You can refuse.
#metoo
Lips are sealed. No kissing. Body is rock is she.

You are a doll. You are an angel.

One more take and scene is rough.
Playback singer Bollywood glam.
Tickets sold. Masala snacks in hand.
It will be all worth it.

A young starlette is born.

 


Galaxy by Sherry Lynn Jollymore

 

Aged Cumin — A Ghazal

I use the mortar that grinds his scent from my neck.
Grind and crush away the Old Spice of his sweat.
Oil, ghee, sweet rice and green cardamom, elaichi, together.
The pan is hot and ready.

I am aging. I am of age.

I hide the spatula once again. He can no longer use it on me.
I know better. I know where to hide, to hide it, to hide me.
Of all my lust trapped in this kitchen, my hair will not be pulled.
When I burn the biryani or over-salt the kebabs, his mirchi fingers become a fist.

I have wisdom. I am ready.

Bruises are never black, my mother reminds me.
Bruises are sometimes blue, my father tells me.
The tandoor is not in use anymore, my heart knows this.
The bleeding stopped last year when the sweating never ended.

I will not mourn any more lost babies.

Bleeding lip and turmeric to hide the scars, my grandmother once told me.
I have no fresh cumin anymore. Rancid zeera, no flavour, just blackish seeds in a jar.
With my throbbing chest, with my breasts, I feel.
I will not be torn anymore.

I am aging. I am of age.

Rub the mango. I share the seeds. Grind it fresh, for my daughter and her daughter.
Garam Masala in the rogan josh.
He bites and eats and savours it and is pleased. Satiation.
He will not complain about it anymore.

I have aged.

The Stations of Her Loss

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Portrait of the Artist’s Mother by Barbara Bickle

 

The Stations of Her Loss

1st

It came with first breath,
with a baptism from holy waters, with a slap
that knocked you into the noise of time.

It came, as always, with numbered
fingers and toes, a severed cord, a split brain,
division and oblivion;
a gift and a loss.

It came with a thud, like book to lectern—
oh, but it was good,
(while it lasted) no denying that—
you loved your gift so
much that you played it always
and everywhere, even in bed
as you whispered prayers.

2nd

For years, there were hints of loss,
but you ignored them,
in a long game of pretend;
you played your persona,
never letting on your uncertainty,
that you were losing your grip—
if your lines stayed smooth, how would anyone know?
You still wore your charms then, didn’t you?

3rd

You lost a name, a date,
a battle, a pastry, so what?
When you lost your own grandchild,
that was harder to reconcile—
better to make light of it,
like children, play hide-and-go-seek,
words disappearing
and yet retrievable, a-a-a-a-a-a-
game of time!

4th

What to do about the loss of conjugation,
the mangling of order and place?
Yes, a dog can follow commands;
curl into a ball, roll over, lie flat;
but no dog ever baked a pie.
What is the use of argument?
You pled harmony; I begged particulars.
Summertime, we picked strawberries:
me, the soft furred fruits; you, the firm green hearts.
I was the little brown berry of your brood;
the others had their own inflections—
did you forget that?

5th

Forgetting you forgot
brought you back to innocence,
to a time of laughter;
your speech became a marvel of invention:
word-bits strung in rapid chains
with an ease any rapper would envy.
I would snatch at the scatterings;
if I didn’t try for syntax,
you made more sense:
mac-adam-tar-mac-adam-madam-dam-mac-aroni—
Our Lady of the Mirror shares communion.

6th

You tossed your words like salad
and the wind caught the chaff;
you spit out your dentures
when they cluttered your mouth.
Only sticky words stuck;
snippets of song—
enpapapapa Lorraine,
dadadadada dondaine…
It was a time for dancing:
oh, oh, oh,
avec mes sabots!

You danced the day, you danced the night, out the door
and through the woods, until you found
a small safe house to hold you.

7th

Your joints jammed and your limbs locked:
You lost the spring, but kept the fall.
Down, down, down.
We propped you in a chair.
There, there, there.
When I massaged your shoulders,
it was like kneading boulders.
“Ahhh, yahhhh,” you sighed, sweet nothings.
You could still kiss.
There was still time for love-making.

8th

We found you sitting at your bedside,
blathering to dolls.
We drew our chairs around you;
storytime: your face raced from one plot to another,
grinning, then glaring, then gleaming.
You would find a syllable and ride it,
up and up and up
and down,
up and up and up—
You had a voice that could fill a cathedral.
Your roommates, mercifully, were deaf.

9th

And when all your syllables were lost,
you still had sound.
When the nurses phoned me with updates,
I could hear your voice from down the hall:
raw, elemental, untiring.
I was embarrassed;
I wondered what others must think of you.
I did not realize that you were divining;
keening your own wake
in your mother tongue.

10th

Pneumonia, that old-time
friend gripped your chest.
You groaned and thrashed, desperate
it looked, to escape your skin.
The nurses offered opioid blessings.
And while I sang the saints,
you passed to silence.

 

“The Stations of Her Loss” read by Holly Tsun Haggarty

Face

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Buzzing by Flavia Testa

 

Face

“The soul, which is spirit , cannot dwell in dust; it is carried along to dwell in blood.”
St. Augustine, The Confessions

My figment, my flirt, my false friend,
who do you favour? What’s your fee? You can depend
on craters and valleys and friction
to warn — you will not be able to flaunt your fiction
forever. You are mine. Though you and I
have different views and count different lines with sly
and varying perspectives. I no longer know when the race
began or why I culled what I culled and left so much to waste,
my colourful, wilting mourning glory. When you stop guarding
your story what will you regard? See what comes of hoarding.
Close your eyes for an instant in the fermenting fields of the South
and railroad tracks stream down the sides of your mouth.
Still, don’t the lines that brace your eyes when you smile proclaim, not grace
exactly as the train speeds, but a moment of no death in the face of the face.

 

 

“Face” read by Carole Glasser Langille

Words Fail Me

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Autumn by Phyllis Koppel

 

Words Fail Me

Snow is falling in my brain, gentle,
relentless. It starts with a small silence,

a gap
in the easy rhythm of talk. A familiar word fails

to arrive.
Bewildered by the changing landscape,

beginning to be frightened, I push on,
awkwardly: hard to keep up

appearances. Listeners glance away, pretend
not to notice, or supply quick replacements, share

their own stories of missing nouns. Cold comfort
to think this a preparation for death,

a gradual letting go of words, mind,
their interplay, once so full of colour,

like                      those trees in fall, leaves
red, red-gold — what are they called? —

I used to know the Latin name —
now smothered in blank white.

Surely I am not so far from home, have known
these woods since childhood, found

gifts of chanterelles, black trumpets — ah!
I think I recognize a known thing, plunge

grateful hands into                      a drift.

 

“Words Fail Me” read by Janet Barkhouse