Each September, I wend my way through the back roads of the Annapolis Valley to attend Becoming an Outdoors Woman (BOW): a volunteer-organized retreat and workshop series aimed at women interested in hunting, fishing, and other outdoorsy pursuits. This year, I brought my copy of Kate Braid’s Elemental (Caitlin Press, 2018), which I snuck away to read in my bunk between starchy meals, awkward attempts at skills acquisition, and quality time daydreaming into the campfire.
As a companion to a woman in the forest, Elemental is patient and instructive: a friend whose gaze you follow to a camouflaged rustle of bird-on-branch or “a wilderness of pattern” (10), or whose fingers find “a small red tattoo of arbutus bark” (15) on your skin. Elemental explores water, fire, wood, sky, and earth, and again, like the wise companion that it is, teaches you to see each of these materials erupting from the others: water from sky, earth from fire, fire from wood. Continue reading
Nous invitons les contributions des femmes des communautés, des dialectes, des cultures et des histoires francophones divers du Canada atlantique, incluant mais sans s’y limiter, acadiens, brayons, métis français, français terre-neuvien, et de plus, des résidentes actuelles venant des régions francophones du monde.
Understorey Magazine publie les histoires des vies des femmes comme racontées à travers la fiction, la non-fiction créative, la poésie, le drame et les arts visuels.
Racontez-nous une histoire de votre vie et de votre langue:
- Comment est-ce que la langue et la culture déterminent votre quotidien au Canada atlantique?
- Comment est-ce qu’elles influencent vos traditions de longue date?
- Comment préservez-vous votre langue à travers les générations?
- Comment vous la laissez tomber?
- Comment entrez-vous en contact avec les ou restez-vous à l’écart des communautés d’expression française?
Les contributions sont ouvertes aux écrivaines qui s’identifient en tant que femmes et sont des citoyennes canadiennes ou les résidentes permanentes et/ou s’identifient comme première nation, métis ou inuite.
Edité par Rohini Bannerjee, Saint Mary’s University
Veuillez voir les directives de soumission.
Date limite : 31 mars 2019
Join Guyleigh Johnson, author/poet of Expect the Unexpected & Afraid of the Dark for a
YOUTH WRITING WORKSHOP
Thursday, September 27
Dartmouth North Community Centre
105 Highfield Park Dr.
FREE EVENT with light snacks provided
~Learn about writing poetry & publishing a book~
Please register: email@example.com OR firstname.lastname@example.org
The relationship between a mother and her child is a rocky phenomenon that can be difficult for some authors to capture. Genevieve Scott’s debut novel, Catch my Drift (Goose Lane, 2018), is a wonderfully realistic story of a complex family, and at the heart is mother and daughter, Lorna and Cara. As a millennial feminist, I’m pleased with even one unique female main character, so to read a novel with two female protagonists—women I was instantly devoted to—was a treat. Lorna’s social awkwardness and ambition, juxtaposed with Cara’s anxiety and longing to fit in, was perfectly told in this story. And while the two characters are like oil and water, I found them both utterly relatable and endearing in their own ways. Continue reading
In 1956, Enman Greene takes his twelve-year-old daughter Penelope out for lunch at a Halifax fish ’n’ chip shop. She believes it’s for her birthday, but Enman has actually brought her there to reveal a secret: the truth about Penelope’s mother.
Once Enman begins his story, A Circle on the Surface (Vagrant Press, forthcoming in 2018), the fifth novel by Nova Scotia author Carol Bruneau, sweeps back to 1943 and the fictional Nova Scotia town of Barrein. It’s a time of great uncertainty, not only because of the war that looms over the lives of the town’s inhabitants, but because of the turmoil brewing between Enman and his new wife Una.
Una and Enman have moved to Barrein to care for Enman’s elderly mother. Una doesn’t like small-town living, however, nor does she like being caregiver to her mother-in-law, a role which has been thrust upon her largely by default. To escape her growing unhappiness, she spends much of her time wandering the beaches alone, where she encounters a mysterious stranger. Continue reading